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Giz
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Everything You Always Wanted to Know About Acoustics:
(Impress the girls when you can explain how your cochlea works)

Music is an artistic method of vibrating air. How fast, how much, and
when the air is vibrated, determines what we will ultimately hear as
sound. The science of this process is called acoustics.

When a speaker (or anything else that has the ability to vibrate)
moves forward, the air molecules in front of the cone are compressed,
causing the molecules to run into each other moving them all forward.
This continues to happen until the speaker moves in the other
direction, which causes a rarefaction (or thinning) of the air that
was just compressed. This is the basic concept of how sound waves are
produced.

**WAVES**

A Sound wave can be described by two basic characteristics, the speed
of the vibration (Frequency), and the extent of the vibration
(Amplitude).

When a speaker moves forward, backward and back to its original
position, this is called a cycle. Frequency is determined as to the
number of cycles per second. It is labeled Hertz (Hz) after an early
scientist in the field of acoustics. Diagram 1 is a graphical
representation of a sound wave. The top half of the curve is where
pressure increases, the bottom half is the decreasing of the pressure.

Diagram 1 - The Soundwave

It has been determined that sound travels through air at sea level at
a speed of 1128 feet per second. The wavelength is the distance a
sound travels in one cycle. This distance can be determined by
dividing 1128 by frequency. With this formula we determine that a 20
Hz note is 56.4 feet long. On the other hand a 20kHz (20,000 Hz) is
.056 feet which is about 5/8 of an inch. Understanding this
relationship between distance and soundwaves will be important in
understanding how we hear, and therefore how to properly set up a
sound system.

Yet another description of the soundwave is phase. Phase refers to the
pressure change of the soundwave at a certain time and place. Once
again, refer to diagram 1, and see how the first part of the curve is
above the zero line. This is known as positive phase (increase of
pressure). When the curve is below the zero line, it is known as
negative phase (decrease of pressure). When Two or more waves combine
the combination can be referred to as being in phase or out of phase.
In phase means that the soundwaves are combining to form a wave that
is larger than either of the two. When the waves are out of phase,
meaning the phase of one wave is positive and the other is negative,
they will subtract from each other, therefore reducing the pressure
level. Soundwaves are constantly interacting with one another and
creating what is known as a complex wave. All musical instruments
create complex sound waves. The instruments combine waves to create
the sound that makes them unique.

Octaves and Harmonics

An octave is a doubling or halving of frequency. One octave up from
100 Hz is 200 Hz, where one octave down from 100 Hz is 50 Hz. A
harmonic is a doubling (2nd harmonic), tripling (3rd harmonic),
quadrupling (4th Harmonic... etc) of a fundamental frequency. Musical
instruments (with the exception of synthesizers) do not create pure
tones. The fundamental (main frequency) is combined with its harmonics
at various levels to create the sonic signature of that instrument.

**SPL**

Our ears have a tremendous ability to evaluate sounds that range from
very soft to very loud. The decibel (dB), named after Alexander Graham
Bell, is a method of describing acoustic pressure, without having to
deal with the billion-fold range of sound pressures to which our ears
are sensitive. A Bel is the difference in loudness produced by a ten
fold increase in power.

A decibel is 1/10th of a Bel. A doubling of sound pressure level (SPL)
is a 10 dB increase, where a halving of SPL is a 10dB decrease. The
human ear can detect differences as small as 1 dB, however 3dB is
commonly referred to as a level where a change is readily apparent.

A doubling of power input into a speaker will produce a 3dB change in
output, a doubling of cone area will result in a 3dB increase over
that of a single driver.

A doubling of distance from a sound source reduces SPL by 6dB.

**Human Hearing**

A piano can produce soundwaves that range from 27.5 Hz to 4186 Hz.
This means that a piano can produce just a little over 7 octaves of
information. The audible spectrum of human hearing ranges from about
20 Hz to 20 kHz. This range varies from person to person, and
generally deteriorates with age.

Information below 20 Hz is referred to as being subsonic. Although we
can't hear subsonic information, we can feel soundwaves that fall
within this range. When a soundwave is above 20Khz, we refer to it as
being ultrasonic. In this case, we are not aware that the wave exists
(although some people can feel these frequencies). However small
animals and electronic test equipment can "hear" these
frequencies due
to their extended high frequency "hearing".

The Human Ear is made up of four basic systems; The Pinna, the
auditory canal, the middle ear and the inner ear.

Soundwaves are collected by the pinna (outer ear). The pinna
"amplifies" signals in the important speech frequencies as
well as
allowing us to better localize sounds.

The auditory canal channels soundwaves to the eardrum and increases
the loudness of the soundwaves via an acoustical resonance around 3
KHz.

The middle ear acts as a matching device, to allow airborne soundwaves
to be "heard" by the waterlike fluid of the inner ear. The
ear drum
forms one side of the middle ear. The ear drum acts as an
"acoustic
suspension" system, using the air trapped in the middle ear to
control
its movement. This trapped air is vented through the eustachian tube
to the upper throat behind the nasal cavity. This system allows the
air pressures inside the ear to equalize with the atmospheric
pressure.

The cochlea is encased in solid bone and is coiled up much like a sea
shell. The cochlea contains roughly a quarter of a million tiny hairs
that give information to our brain as to what type of vibration there
is in the fluid. Our brain then takes this information, analyzes it,
and relates it to frequency and amplitude.

**Imaging**

By comparing arrival times at both ears, our brain can determine the
direction from which a sound came from. A sound arriving at both ears
simultaneously tells our brain that the sound is centered either in
front, above, below, or behind us. The brain then looks at the
frequencies received, and compares these frequencies with sounds that
we have heard before. When the brain remembers a sound like the sound
it just heard, it looks at the late soundwaves that arrived at the
eardrum that were reflected off the outer ear. This process allows us
to perceive height. When a soundwave comes from behind, the soundwave
must pass through the pinna. This causes a filtering of high
frequencies in comparison with reflections off of walls, ceilings, and
floors. This is what allows us to localize sound sources behind us.

It becomes increasingly difficult to localize sound sources as the
frequency decreases. This is due to the wavelength being so much
larger than our heads, that it becomes difficult to differentiate
between the arrival times at our ears. This effect keeps us from
localizing pure tones below around 100 Hz. If the sound source is not
pure, however, and there are harmonics associated with the source, we
can localize these sounds and therefore localize the source.
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